Doxa Road, 2017- (ongoing series)
Programming, digital imaging, giclée prints, serigraphy, video
This project explores the difference between the endemic information contained within an image and the subjective connotations that can imbue an image with meaning.
Parts of this project were developed into a separate series called Digital Palimpsest(s), which will be exhibited in 2020.
Images in this series were chosen because of their relationship to cultural beliefs, such as conspiracy theories or religious reverence.
The series as a whole uses a variety of visual manipulations to alter photographs and remove their depictions. The above images are examples of color separations made for screen printing; the different color layers are deliberately rendered as obvious disparate parts, highlighting the process of deconstructing and remaking an image.